2 comments about Gourmet Paris: What to Eat Where, Dish by Dish.

1. I'm planning a restaurant-centered trip to Paris for next spring, and am finding this little book an invaluable tool in my research efforts. The author has laboriously evaluated dozens if not hundreds of Parisian restaurants in terms of their execution of various regional cuisines and specialties. For example, if you're looking for a restaurant that specializes in the cooking of Lyon or the Auvergne, he'll have numerous recommendations--many of them small and off the beaten path, and unremarked-on even by the Paris Zagat guide, let alone Frommer or Patricia Wells. By the same token, if you simply must try a dish of aligot, pouchouse, or tablier de sapeur--because you've read about them in Elizabeth David or Waverley Root--you'll be steered directly to them. The book is small enough to carry in one's pocket while walking around the city, and contains enough information about the recommended restaurants (opening hours, phone, other specialties) to make ad hoc planning reasonably simple. Indexes by restaurant name and arrondisement are well put together. All in all, a valuable contribution to the small body of truly useful Paris restaurant guides in English.



2. This book is fabulous - witty, well-written and containing all the must-have addresses for the best food in Paris. It's different from other restaurant guides because instead of picking an area or a price-range for your meal, you just choose the dish you feel like eating. So for example if you want some Bouillabaisse you look it up and there are four recommendations, each of which will serve up their own delicious version of the Marseillaise speciality.

   The guide covers eighty different dishes, both French and International - you can find places for sushi, tacos and curry as well as for pot-au-feu, fondue and coq-au-vin. The author, Emmanuel Rubin is great not only at choosing the finest food but also the places with the best atmosphere. He devotes a section at the end of the book to a guide to restaurants with special features; restaurants with a fireplace, restaurants for kids, restaurants in nightclubs...

   Gourmet Paris is definitely the best present I've received since moving to France; I've been using the guide regularly every time I feel like eating out and I've had nothing but great meals since !

No comments about The Backpacker Market.

5 comments about An Hour from Paris.

1. I buy way too many travel books and I am quite often disappointed. This book far exceeded my expectations. I have not yet used it "on the ground", but plan to on my next visit to Paris. The destination descriptions are clear and interesting, the walking/training directions are simple and clear. And the author gives just enough suggestions for cafes/restaurants to make it interesting. If you've only got 5-7 days in Paris, don't leave Paris! If you've got more time than that, buy this book and plan a day trip so you can say you visited not only Paris, but France as well.



2. By Bill Marsano. Is it possible to be tired of Paris? Bored with it? Amazingly, it is, and at such times one may long for a brief escape, a short trip into the countryside. To the rescue comes Annabel, a Briton long resident in Paris who has obviously felt the same uneasy stirrings, because she has compiled a very attractive assortment of little breakaways, none of which takes more than an hour to reach, and deftly compressed them into her small but very useful pocket-sized book.
   
   She's assembled--and thoroughly researched twenty daytrips, and most of them are bound to surprise even veteran Paris habitues. There's a thrice-moated town to the east, a cathedral in an ex-chocolate factory, canalside walks, and an huddle of peaceful islands at the end of a Metro lines. (And at the end she also throws in Versailles, Giverny and the like, just for lagniappe.)
   
   Simms knows the territory very well; she writes briskly and supplies history, background and local lore as well as specifics on finding the tourist offices, restaurants and museums at each stop. There are good photos and maps, too. Being British, she also includes numerous walking tours, and being a walker myself, I liked that best of all.
   
   All of these destinations are accessible by public transport, for which Simms gives excellent details. (All too often, a concierge or tourist office in Paris will reflexively urge you to rent a car.)
   
   I stumbled upon this book while in Paris last month, and the daytrip I took was a hghlight of my visit. If you're planning to visit Paris, get this book before you go--you'll want to build at least one of Simms's recommendations into your itinerary.--Bill Marsano is an award-winning American travel writer.



3. I've now tried 6 out of the 20 recommended destinations in this book, and while the author has selected some beautiful and interesting places that I'd never have found on my own, and there's a nice historical background on each place, an annoying defect keeps appearing and ruining my day trips: her directions for walks are terrible. Reality just doesn't match up to what's in the book, so for example you might find yourself looking at a map that shows a straight path from A to B, and you'll be reading the accompanying text that says to just go left at the stream, but you won't find any stream and you won't find any straight paths. Not, that is, until you've gone way too far, you retrace your steps and then realize the author neglected to mention that there are two parallel paths within 10 yards of each other and it does matter which one you're on. (That particular scenario happens at Champs-sur-Marne. Creteil is surprisingly tough to follow, too.) Still a good book to have just for ideas on where to go, but be sure to bring a GPS system or a local with you if you want to find anything.



4. Coming from a Frenchman who has lived in the Paris area for twenty-five years this may seem incredible, but An Hour from Paris has proved extremely useful and informative, it has helped me to discover places I didn't even suspect. Typical is the trip from Herblay to Conflans-Ste-Honorine : neither place is particularly outstanding but the riverside walk was truly a revelation, each step offering views like Impressionist paintings. Without the guide I would have never discovered this, and I have tried several other suggested trips with equal success. A far cry from the Michelin guide, especially the recent dumbed-down editions. Warmly recommended.



5. I was very happy to find this book and enjoyed reading it. The author's personalization of the text makes it a pleasure to read. I'm looking forward to trying some of her suggestions soon.

5 comments about Around and About Paris, Volume 1: From the Dawn of Time to the Eiffel Tower (Arrondissements 1 - 7).

1. Around and About Paris, Volume 1, reads pretty much like a medium-quality textbook; it's dense (*tiny* print and very small amounts of white space), it's informative (*filled* with trivia and fascinating - as well as not-so-fascinating - facts), and it's obtuse in places. The book does provide lots of information and some very nice Paris walks, but you'll have to sieve through a lot of junk to get to the meat of it.

   The book's most serious problem, at least for me, is the writing. I suspect, though I don't know, that the author's English was a second language. The sentences are at times torturously constructed. Often, subjects and verbs are in places where a native English speaker probably wouldn't put them; sometimes one or the other is even missing - when you parse the sentence, you realize it's actually just a very long fragment, with lots of clauses that confuse the issue. Sometimes, too, it isn't clear what a modifier is supposed to be modifying, or which noun a pronoun refers to. In the worst cases, the meaning of a sentence cannot be divined at all because an error has been made at a crucial point. Some careful, detailed editing could've made this book a lot easier to read and use - and more informative, too.

   However, there is still a lot of information in Around and About, even if you do have to work to get at it. The maps aren't the clearest in the world, but they're good enough, especially since prominent landmarks are marked. And the walks themselves provide an interesting take on Paris; the idea of walking through history is a great one. Parents with older children could probably use this as a resource for some very educational traveling, though I would recommend that the adults do the reading and then condense and prune somewhat for the kids.

   All in all, despite the book's flaws, it's a nice supplementary resource for people visiting Paris - or those studying French history. You will, however, also want more conventional guidebooks or textbooks unless Paris and its history is already very familiar ground indeed.




2. After reading every travel guide I could get my hands on concerning Paris, France, finally I've found one that actually quenches my thirst and feeds my hunger! This is the Bible of Paris. The little details are so fascinating and exquisite, you can read this book over and over again. If I were stuck on a deserted island, as far from Paris as possible, I'd still want this to be one of the top five books I took with me. It would keep me going for a long, long time. Don't go to Paris without it. In fact, don't go to the doctor's office without it-- perfect to take everywhere.



3. How would you like to have a personal guide as your companion when visiting Paris? A guide that will not only give you a brief history of each and every "Arrondissement" from the first to the twentieth, but as the author states, "a journey into the depths of Paris" and "an invitation to scratch beneath its surface of dazzling vistas and imposing monuments and to probe into the souls and lives of the restless people." Author Thirza Vallois's three volumes entitled AROUND AND ABOUT PARIS accomplishes all of the above and more.

   Most other guidebooks pertaining to Paris are merely directories that list where to stay and eat with a little history and antidotes thrown in. Vallois's tomes do not contain any listings of hotels, restaurants, phone numbers or web sites. They are, however, similar to information contained in college textbooks and would probably be suggested readings if a course were to be given entitled "Paris 101." Not only are they invaluable tools for the traveller to Paris but also for those of us who are so called "arm chair" travellers and who never intend to leave home.

   Each chapter is devoted to a distinct Arrondissement describing their unique history and character. These introductions are followed by comprehensive descriptions of the walks you must pursue. After all Paris is made for walking!

   Very often when visiting Paris we are too much concerned with the usual tourist attractions such as the Louvre, the Eiffel Tower and various other well known sites. Consequently, we tend to loose sight of the history and background information concerning the area where we may be lodging or the areas where we are taking our promenades. We are also ignorant of the many "nooks and crannies" that make Paris a city of romance, drama, triumph, tragedy, crime and passion.

   Vallois has lived in Paris for over thirty years. For eight of those years before writing these guides she "journeyed into the depths of Paris, walking its every street, reading in libraries whatever came my way" as she mentioned in an article appearing in Paris Kiosque No wonder the guides are so comprehensive and detailed.

   To appreciate Paris is to understand its history and culture. Thanks to authors such as Thirza Vallois we can explore Paris with a greater understanding and enlightenment.

   Please note that their are three books: Volume 1-concerns the 1st to 7th arrondissements: Volume 2- 8th to 12th, Volume3- 13th-20th

   Norm Goldman Editor Bookpleasures.com




4. If you like to roam around Paris on your own and get a feel for the history of the most beautiful and exciting city in the world, then this and its sister companions (Vols II and III) are for you. Thirza Vallois (for the sake of transparency,I have meet the author and have visited with her several times) has covered every street in the city and gives a fascinating view of the evolution of the city. The first volume is a must read, both the introductions and the tours are vibrant and illuminating. Don't miss the Hotel Carondelet.



5. As someone who has haunted Paris for decades, I can say that there is no more wonderful companion than Thirza Vallois. Her three volumes of Around and About Paris, covering every arrondissement with both erudition and joy, are almost as deep and rich and rewarding as the city itself. They are to be carried about for consulting on foot, and read in your armchair for pleasure and information you will not find in the run-of-the-mill "guide." These books are for explorers and dreamers, scholars and lovers. If you want to know Paris, you can not do better.

1 comments about Hedonist's Guide To Paris 1st Edition (Hedonist's Guide to..., A).

1. I have utilized the Hedonist's Guides for a couple of years now. They are a must have for a sophisticated traveler, especially the 20-somethings/young professionals that are accustom to knowing where the cool spots are at home and wanting the same experience when they are traveling. Restaurants, hotels, bars, clubs, and even cafes/pubs - this guide has it covered.
   
   Case in point---this weekend, I was in Paris with two Parisians meeting up for some drinks on Friday night. Their original plans were foiled (private party) so we began looking for alternatives. Having lived in Paris for a month and using the Hedonist's Guide as my Bible, I threw out a few suggestions I remembered from the Paris guide. Needless to say, the Parisians were skeptical taking recommendations from an American. Regardless, we ended up going to two of the places, Le Fumoir and Kong, and they were both great. We were dancing on the couches at Kong until closing time. I have since been praised for knowing more about the hip places in Paris than two locals. I am not sure a guide can get a higher compliment. Bravo!

5 comments about Paris Sketchbook.

1. A "Paris Sketchbook," captures Paris superbly. Walk again down the streets of Paris, sit in a cafe, or in a paris garden, or wonder again at Paris buildings and architecture. It is all there and captured beautifully my Mary Kelly's precise and spiritual prose, with Fabrice Moireau's water colors of Paris. The pictures and prose combine to be more like a musical piece, one reads and then "hums" like a tune from time to time. If one is looking for that special gift or souvenir of Paris, this is it. Enjoy Paris again and again, or tanalize those who plan a visit to Paris.



2. A grand book for travelers to Paris or those already in love with the "City of Lights"!



3. ... then you'll love this one. For the sketches of the Parisian scenes are wonderfully well-drawn. Sometimes you'll be amazed to find out the "spots" that you didn't pay much attention on while you were there. Also, It captured all different moods..... and you feel like you are visiting Paris AGAIN!



4. Fabrice Moireau's watercolors and sketches bring the City of Light to life, and vividly captures the atmospheric city with its teeming cafe life, historic buildings, and new constructions. The book is divided into several segments covering the historic center, Northern Paris, Eastern Paris, Southern Paris, Western Paris, and the Gazetteer provides additional information of some of the prominent buildings featured. Moireau's paintings and sketches are accompanied by Mary Kelly's impressions of Paris, and both perspectives provide a wonderfully warm portrait of the City of Light.



5. Excellent book with that real Paris feel, a feast of classic French cityscapes and architectural heritage, a visual source of art inspiration that is both easy on the eyes and stimulating, recommended .

5 comments about Kiki's Paris: Artist and Lovers 1900-1930.

1. This book gives both an excellent pictorial and verbal description of the evolution of the artistic life in bohemian Paris in the early twentieth century. Well researched and written, it brings the ongoing revolution in art (what defines art?) as well as society (the role of classes, women, etc) into both clear focus and understanding. The pictures are both numerous and superb and gives the book a real 'you are there' sense as well. The wealth of detail is sometimes almost overwhelming in fact. An very readable and enjoyable book!!



2. "KIKI'S PARIS: Artist and Lovers 1900-1930" faithfully evokes the era when Paris served as the nexus for the flowering of artistic movements as diverse as cubism, fauvism, futurism, and dadaism. Each photograph tells a rich story of the personalities and the city that shaped and inspired them.
   
   This is a book that you'll want to read and re-read again and again. HIGHLY RECOMMENDED.



3. This book gives a wonderful photo journal insight into the free-spirited years of early 20th century Paris. The photos and descriptions are magnificent. This book will take you there in an instant.



4. A time long gone of the parisian model for the teeming artists. Lots of great photo's and listings of the people of that time period. Puts you " there " as soon as you open the book. A timeless book of a wonderful age.



5. New information is always one of the factors I like to glean from a non-fiction book. Sometimes the new material is major, sometimes minor. I immediately liked this book because I found a tiny bit of information that I've been curious about for years. A famous unsung, middle-class patron of many of the world's great artists who resided in Montparnasse ran a "Cremerie" directly across the street from Academie Colarossi Art School. The tiny café was described in numerous biographies but the shop owner was always described simply as "Madame Charlotte." I'd done a little research trying to discover more about this fascinating businesswoman whose building was stuffed with artworks and who loaned money to Gauguin so he could travel to the South Seas, but was unable to find her last name. It seemed to have been lost to history. On page 22 of this book the mystery was solved. She was identified as "Madame Charlotte Caron." That discovery immediately led me to buy this book that is chuck full of interesting biographies as well as more than 700 photographs of the artists described and their work as well as information about the people around this legendary Roaring Twenties artist's community. This encyclopedia of information is tied together by featuring Kiki (Alice Prin) at various points. It could have been tied together by using anyone of several artists who were such an integral part of the "Camelot of Paris Art." Picasso or Man Ray would have done equally as well, but neither of them was French or as sexy to look at in the nude.
   This book is well worth reading. In many ways, it's like looking at a personal photo album with really good captions explaining the pictures and the people in them. Unlike most personal photo albums this one includes pictures of the "underside" of Paris along with pictures of its residents dressed and undressed. The residents apparently loved to party as demonstrated by the huge number of masked balls and other wild parties shown in picture after picture. This book is extra interesting because of the informal portraits of so many famous artists at work and definitely at play. With snapshots of the smoky world of the cafes, the brothels, the art schools, and the hedonistic picnics, the book makes that by-gone era live again. Kiki, with her cabaret dancing, nude modeling, infamous lovemaking and bubbling personality was the very personification of the hedonistic age that produced creativity the likes of which the world has seldom witnessed. She makes a perfect sexy trunk and limbs upon which to hang this elm tree-sized collection of colorful historic portraits.

4 comments about True Pleasures: A Memoir of Women in Paris.

1. I loved this book. It is part biography, part philosophy, part social analysis. I found insight and inspiration in every chapter, and historical figures about whom I knew little or nothing came vividly to life. Holdforth goes to Paris to shake up her system and determine a direction for her life, and by studying the lives of many famous Parisian women (born there or elsewhere), she does just that. If you love Paris, want to read about some fascinating women, or think there is more to womanhood than work, marriage or children, you'll enjoy this book a lot. (She also makes an excellent case for aging gracefully in Paris, and if I ever win the Lotto, that's exactly what I plan to do!)



2. This book was a disappointment. I bought it because I wanted to read about all the interesting women it claims to be about: Nancy Mitford, Ninon, many others. But it is not about them. It is about the author. Once in awhile she thinks about one of these women, and gives you her thoughts. But she doesn't tell you much about the women. You are left still wanting to know the lives and loves of the famous women of Paris. This book is for people who really want to know what the author thinks about Paris, but I don't know her and I'm not interested in what she thinks, nor when she feels tired, when she wants to lie down, what she eats, when she travels on the Metro, what she says to her friends. I wanted to read about what the charming and fascinating women of Paris said and thought.`



3. I have a feeling the author and I would get along just fine! I too enjoy researching a historic figure (Catherine de Medici, Josephine, and Camille Claudel have all been recent obsessions) and then walking in her footsteps in Paris. Not only did this book reconnect me with some of my favorite femmes but it introduced me to more fascinating women and their neighborhoods. That thrill of discovery - when you look up at a particular balcony or past a small park that you may have passed countless times before - and suddenly realize its significance to the woman who once lived there - this is what the author captures perfectly. A wonderful gift for your fellow Francophiles and strong women!



4. I read this book when I needed inspiration - and I found it here. Not only does the author provide insight into the lives of fabulous and famous women, she provides insight into her own life and how experiences in Paris influenced and shaped her. The book provides the perfect balance between historical facts, personal insight and the joys of life in Paris today. It also encourages you to read more books on each of these topics - ie. it starts a journey which goes way beyond this one book.

5 comments about From Here, You Can't See Paris: Seasons of a French Village and Its Restaurant.

1. A friend who lives in the Lot recommended this as essential reading prior to our recent trip to visit her. Although at first I feared that this book would be another cloying American-in-Europe travelogue, I happily found that Sanders presents a balanced and gracious treatment of a place that obviously captured his heart. He resists gushing encomiums and treats his subject matter with restraint and some degree of objectivity. Having said that, I should add that he also enthuses when he feels inclined to do so, and these sections generate a warm glow without excessive sugar-coating. The book hooked us, and after we arrived in the region, we undertook a two-hour drive through the backroads of the Lot to walk through the village, visit the museum, and, of course, lunch at La Recreation. It is always difficult to reconcile the experience of a place in the flesh with one's mental image from a book, but Sanders captured the magic of the place deftly. The lunch, by the way, was magnificent.



2. I enjoyed this book for the most part, but found it poorly edited. The author mentions the same things over and over again in different parts of the book. When the same idea or scene is repeated, it is as though it is being mentioned for the first time. I found this highly annoying when I was reading the book.



3. I started out prepared to like this book, after all, I love France, having visited it many times, and my Grandmother on my Mothers side was French. However, after only a few sentences, alarm bells started to go off. The more I read, the worse it got. Basically, -here are the problems. The authors appalling use of Grammar, the tortured sentences, the overuse of adjectives, the misplaced adverbs and verbs, the use of American slang, {as in "I wanted to get the "skinny" on the matter,-meaning the inside info.}The mixed use of Ameringlish, Franglais,and slang.
   Just read it yourself, and you will see what I mean. Michael Sanders badly needs a} a good proof-reader, one who is literate as well as literary, and b}someone to edit his work and be prepared to slash many tortured sentences with a red pen.I gave up before I was even half-way through, as being a retired English teacher, it was too painful to read further. Sorry, but I cant recommend this book to anyone who is half-way literate.



4. I found a link to this book on the site of the B & B in Albas I was planning to visit during my trip to France last year. I bought & read the book and had to see for myself. Since my traveling companion & I were going to be in the area we e-mailed the owners of the B & B to make us a reservation.
   
   It was the most marvelous meal I've ever had. Three hours long and there was no sense of time having passed. The owners were lovely and I have never seen a cleaner kitchen ever, anywhere. My only regret is that we didn't have time to see much of the village he writes about.
   
   My dream is to go back & do it again. I'm so glad I read this book.



5. Sanders has captured the life in a small French village and its wonderful restaurant. My wife, best friends and I organized a trip to France around Sanders' book. It did not disappoint. La Rec was unbelievable. My friend and I could not figure out how the restaurant makes money at 30 Euros a person for a wonderful meal (five courses, including some of the most elegant dishes we had in France -- the Lobster bisque and ravioli are beyond description, for example). We took many of Sanders' other suggestions, including a lunch at the cooking school in a nearby village, and found the experience to be wonderful. The only downside to Sanders' work is that Les Arques has been bought up by northern Europeans, with virtually no French people living there.

5 comments about Brassai : Paris By Night.

1. One only has to compare the nicely reproduced dust jacket photo to the print of it in the book to see the amount of detail that is lost in the rest of these images. Even the thumbails in the back next to the writeups show more detail than the muddied out larger vesions in the book. Brassai's images are so great that even muddied up like this they are worth looking at, but what a shame the publisher didn't do better. Shame, shame, shame.



2. This book is very important. Paris By Night by Brassai is a book that is central in the history of photograhy.It has been a great inspiration for many photograhers (and others).
   It is a shame, that this edition is very badly printed (loss of detail).
   I am sorry to say, that therefore the book is too exspensive.
   I bought the book anyway. Why?
   Because I wanted to have it on my shell. To study it. And because it reminds me of the first time, twenty years ago, when I saw some of the pictures from Paris By Night, and found that photograpy could be a great art.



3. This book was conceived and executed around a specific printing process, heliogravure. The original 1933 edition, if you could find it, which would be quite a feat, would look very much like the Pantheon edition published about a decade ago, and have many of the features of the current edition that some reviewers find objectionable: matte paper, black borders, strange tonality when compared to traditionally printed work. That's why the Pantheon edition, which some of the leading figures in modern printing and photography worked on, was such a landmark, and why the cheaply printed editions between the original and that one were junk -- and gave people a very serious misapprehension of how Brassai wanted his work to look.

   Unfortunately, an attempt to reproduce the characteristic look of heliogravure using a more conventional printing process is a pretty tall order. If you don't like the way this edition looks, and you very well may not, see if you can find a library that has a copy of the Pantheon edition and compare them. You'll be amazed that the aspects of this edition's printing that you found objectionable actually make _that_ edition beautiful and unique.

   It is a shame that Amazon does not even list the Pantheon edition so that it cannot be searched for as a used book -- and that the current publisher deceptively printed an edition that looks superficially like heliogravure but is not.




4. is a pleasure to learn how to use available light with the craftmanship of Brassai's pictures of Paris by night with all the life of those years !!



5. Brassai was probably more responsible than most for generating the noir genre associated with Paris but that, I think, was a function of his equipment. The deserted streets could be a factor of the five minute exposure while the close up shots of the street workers, of all occupations would have been necessary because of the lack of electronic flash. When looking at his pictures, we must be careful to pass them back through the filter of his time. BUT, that same filter has given us some beautifully composed images. There are no accidents. Thus, as well as a wonderful collection of very evocative images, the book can act as a reminder of the importance in engaging the intellect to make such images.