No comments about Lonely Planet Diving & Snorkeling Cozumel (Lonely Planet Diving and Snorkeling Guides).

No comments about Michelin the Green Guide Mexico: Guatemala Belize (Michelin Green Guide: Mexico, Guatemala and Belize English Edition).

5 comments about The Lawless Roads (Penguin Classics).

1. Unfortunately I'm unable to compare with The Power and the Glory, because I haven't read it yet. this was my first Graham Greene book and i will definitely read more. The book is written in such a rich poetic style. Every sentence is precious and evocative. This is no ordinary travel book.



2. Tabasco and Chiapas in the 1930's - not a nice place either to live or to visit. Greene's explorations provided background and some characters for his great short novel or tale, The Power and the Glory. If you are a student of fine writing, read the novel first, then read this to see how he gathered and used material. Or read this first for background that adds depth to the novel. If you are an armchair traveler or student of Mexico, enjoy Greene's adventures and be grateful he went through them so you don't have to do it yourself. This is truly a classic of travel writing.



3. The Lawless Roads is the second non-fiction travel book of Greene's that I've read, and the other, Journey Without Maps was also a great book about travel in Africa. Greene is a brilliant travel writer; he makes detailed observations about the countryside, people, and customs of Mexico. The way he traveled in the 30s makes you appreciate modern infrastructure and the advances of civilization that make godforsaken places livable. He was on assignment for a paper to report on the anti-clerical government that was persecuting the Catholics. It was form this experience that Greene wrote The Power and The Glory, which germinated from an antecdote he heard in Mexico about a whisky priest while on assignment.



4. Reading The Lawless Roads reminded me of a comment from Albert Camus from his notebooks: 'What gives value to travel is its fear. It is the fact that when we are so far from our own country we are siezed by a vague fear, and an instinctive desire to go back to the protection of old habits'.
   
   This is Graham Greene in Mexico. Travelling through the dry, dusty, mosquito and tick fly riven states of Southern Mexico in the 1930s, a period when the Catholic Church was under severe persecution from the state, Green clings on to the two things that remind him of happier times and nations - his Englishness, and the Catholic Church. His prologue is set in England, the title of his book comes from a piece of verse, quoted at the start, by the Scottish poet Edwin Muir and throughout his turbulent journey he seeks solace in quintissentially English writers such as Trollope and William Cobbett.
   
   It is evident that Greene loathes Mexico. At one point he writes of the country 'No hope anywhere. I have never been in a country where you are more aware all the time of hate'. He finds, during his travels, a Godless, immoral and violently dangerous state. He retains a colonial contempt for the natives he comes across with their 'expressionless brown eyes' and is mistrustful of everyone. He defends the under fire Catholicism with extraordinary bias, declaring the Catholic Church 'Perhaps the only body in the world today which consistently - and sometimes successfully opposes the totalitarian state'. Remember this was the same period as the Spanish Civil war.
   
   He plunges the depths in Tabasco, a state where Catholic persecution was particularly strong - 'One felt one was drawing near to the centre of something - if it was only of darkness and abandonment'. And his personality undergoes a disturbing descent into increasing misery and intolerence. After travelling through numerous grisly towns (Puebla is the only place he has any affection for, the only place in Mexico Greene can imagine living in with 'some happiness'), being plagued by mosquitos and diarrhoea and undergoing hours on cripplingly uncomfortable muleback, he reaches rock bottom - 'It seemed to me that this wasn't a country to live in at all with only the head and desolation; it was a country to die and leave only ruins behind'.
   
   But Greene's vitriolic prejudices against Mexico serve as a blackly creative vehicle to contain his bluntly honest and hatefully evocative prose style. A more dispassionate, cheerful writer would not be nearly as successful in dredging up in striking detail the climate of this sinister Mexican age. Greene also owes a great debt to Mexico, for it was his travels in hell that provided the inspiration for one of his greatest novels 'The Power and the Glory'. In The 'Lawless Roads' we briefly meet the characters in the later novel - the 'Whisky Priest', the sweating dentist, the 'Mestizo' with two yellow fangs. This baleful travelogue highlights why Greene was able to use Mexico as the canvas on which to paint 'The Power and the Glory', a masterful tale of oppression, persecution, death and redemption.



5. I read about this book in a New Republic article about Lopez Obrador, the leftist who recently lost in Mexico's presidential election. Obrador is from the southern state of Tabasco, an isolated, southern state that Greene visits in this book. Greene's interest in the state stems from the fact that in the 1930's the region's governor spearheaded one of the most virulent anti-religious campaigns in all of Mexico. Greene was commissioned to write about how Mexicans were coping during this period of intense suppression of religious expression. My interest in the book was purely historical and sociological; I wanted to better understand the ideology that led the state to clamp down on religious institutions and how ordinary Mexicans reacted to this. In that sense, the book did not quite live up to my expectations. Instead, in spite of the beautiful prose (which ensures a pretty quick read) and occasional sparks of wisdom, the book read like a bitter, disgruntled travelogue.
   
   For starters, as Greene himself concedes, his Spanish was apparently not so good at the time, something that obviously limited his ability to talk with ordinary Mexicans who knew no English (this is not to mention that many of the Indians in Tabasco and Chiapas did not even speak Spanish). Tabasco and Chiapas are both built up at as hearts of darkness; he announces at the beginning of the book his intention to visit these remote places, but he does not even reach Tabasco until halfway through the book, as the first part consists of his journey from Texas down to Mexico City. And then, when he finally does reach these places, the effect is rather anti-climactic, as he doesn't even seem to talk to any ordinary Mexicans about the religious situation. Obviously this probably had a lot to do with people's unwillingness to talk about such a politically sensitive issue, but it was still disappointing that he went to so much effort to reach such remote places, only to come away with so few real insights. In Tabasco and Chiapas, the only people Greene seems to befriend are odball expatriate Europeans and Americans. These were fascinating characters and the stories of how they ended up in the backwaters of southern Mexico are worthy stories on their own, but I think we would be critical of any contemporary journalist who only fraternizes with expats.
   
   Perhaps the most disturbing thing, though, is something that Sirin alludes to in his review (but surprisingly none of the other reviewers have mentioned), namely Greene's explicit hatred for the country and its people, which was quite unexpected. As I was reading it, I kept reminding myself of the context, since the book was written in the 1930's from an obviously colonial mindset. However, by the end of the book, when Greene is tired, ill, and ready to return home, the bitterness towards Mexico becomes hard to ignore. Virtually every behavioral trait he observes in Mexicans obviously hides sinister intentions. He has something bad to say about every place his train passes through. Again, I realize that the author was fatigued from his travels and ill at this point, but it still didn't make for particularly fun reading.
   
   I gave the book three stars because it does have many merits. As I mentioned, Greene writes beautifully (I have read and loved the "The Comedians" and plan to read some of his other novels in the near future). Also, the simple fact that he visited some of these remote places during this interesting period of Mexico's history makes the book intrinsically interesting. Overall, however, the book just wasn't quite what I expected.

No comments about Rock 'n' Road, 2nd: An Atlas of North American Rock Climbing Areas.

5 comments about Hiking New Mexico Gila Wilderness.

1. Just a note to any of you considering this book. I was browsing for new books about New Mexico when I came across this one and thought it would be a great reference for our guests- we live within 500 feet of the Gila on a working cattle and guest ranch- when I read the editorial review- 500,000 acres??? try 3 million! So while it might be a great book about the trails of the Gila the inital information is wrong in the review. There had to have been a lot of time and effort put into this book, so I hope the books authors catch the mistake.



2. This is almost a definitive guide to hiking in the Gila Wilderness. I used to hike trails in the Gila Wilderness, and I wish I had had this guidebook. It has all the important information you need, such as which trails are still in use, where the trail might fade away, where the reliable water is, and how long to plan your trip for each trail.

   It is chock full of useful information. For each hike, it gives an elevation diagram for the hike; detailed directions to the trail head; the best season to go; a table of how far key points are from the trail head; special hazards and considerations presented by the hike; the highlights of the hike expressed in a sentence; the difficulty of the hike; and the maps you will need. It also covers the facilities at the trail head, and gives options for side hikes. All this in addition to extremely detailed information about the hikes themselves, likely camping areas, reliable sources of water etc. And it does this for every significant trail in the Gila Wilderness! This is a significant improvement over Murray's book which gives sketchy information about fewer trails.

   The tables and diagrams in this book are a model of what good guide books should contain. For example, there is a map showing all the USGS quad map locations for the Wilderness, a Map showing all trail head locations schematically, a table that allows you to choose a hike based on what type of hike you want, a detailed table of contents, and a gear checklist. The only thing it doesn't have are GPS coordinates. Of course, it might not be enough to own just this book, if the trail is very lightly used...you should bring USGS topo maps and a compass at the very least. There is a also a Wilderness Map and Visitor Guide for the Wilderness which is worth purchasing.

   This book is obviously written after long and hard backpacking through the wilderness. The authors are extremely well-organized and systematic in the things they note, and in their presentation. Even so, after having been in this wilderness, I know there is much that is not in this book that is waiting for the reader to discover. The black and white pictures in the book can only convey a little of the flavor of the beauty that is there. You really have to experience this beauty for yourself. Armed with this book, I think you will be able to have a safer, and more enjoyable time while doing it.

   ...the Gila Forest (which is 3 million acres), [is] not ...the Gila Wilderness, [which is] a more protected area which is indeed 550,000 acres. A wilderness is a place where cars, and all forms of motorized transport cannot go. In contrast, cars can drive along forest roads. ...




3. We used this book while hiking the Gila Wilderness. We are experienced day hikers and have bought many Hiking Books and have taken many hikes. This is by far the worst book from an accuracy perspective. The number one attribute of a hiking book is accuracy. This book is not accurate. From now on I will check where the authors live. The authors were not from NM and have no business writing about the Gila Wilderness.



4. I haven't read the book yet. It's being ordered. But I wanted to comment on the review by the person who lives 500 feet from the Gila, but didn't take the time to read the book title. The book is about the WILDERNESS. The Gila Forest is 3 million acres. The WILDERNESS is just over 500,000 acres. I look forward to reading the book soon.



5. What I like about this series and this particular guide is the wealth of useful information provided. Each hike is described comprehensively and the descriptions are supplemented with maps, elevation profiles, and mileages to key points. Plus all the usual info is provided about water, seasons, maps, etc. This gives all the information required to make informed decisions when planning a trip. A minor but nice point: the maps all are oriented with north up. Too many guidebooks provide maps with multiple orientations which can be confusing for the unwary.

1 comments about MapEasy's Guidemap to Santa Fe, Albuquerque & Taos.

1. MapEasy's Guidemap to Santa Fe was publishd in 1997, which means it was worked up in 96. The streets may not have moved [with some notable exceptions], but a number of establishments located on the maps have closed, been re-named or changed. Were it up to date, I'd give it 4 stars.
   
   I enjoy MapEasy products as they help one locate sites in neighborhoods, not just addresses. It's fun to use these to plan out a daily excursion on foot, or help in chosing restaurants and hotels in specific areas because they include drawings and names of establishments at their exact mapped location.
   
   The Santa Fe map was great fun to carry around while looking for museums and attractions, and choice places to shop, eat and have a drink were clearly placed when I used it some 8 years ago, but on a recent trip, I had to put it aside as it caused confusion and disappointment based on it's obsolescence.
   
   I cannot recommend using this dated map until it's been revised and updated, which I hope will happen.
   
   A guide book from the series Access, Santa Fe, operates much the same, but with more information on destinations and attractions, similarly located on neighborhood maps . It too is outdated, being published in 1999, but a new edition is coming out November 30, 2006, according to it's listing here at Amazon. I recommend waiting for it.

5 comments about The Doors of San Miguel De Allende.

1. If you are looking for information about San Miguel, this book does NOT provide it! Very little written...too many door photos!



2. If you are looking for rustic colonial or American Southwest doors then this book is a must buy. - jim



3. This book was purchased as a gift for me. I am a subscriber to International Living, and San Miguel is a long-time favorite of theirs.
   
   I mentioned this, and the way the city had piqued my interest, to a family member. She then promptly went online and ordered this book for me.
   
   It is for this reason that I issue the following warning: the title should be taken LITERALLY, not figuratively.
   
   It could be read either way, but this book is NOT about opening the metaphorical doors to life in San Miguel. You will not look in these pages and then find the metaphorical doors to San Miguel thrown open to your understanding and appreciation. You will not learn about expat or local life in this historical city. And you will not find yourself frequently referring back here as you plan your trip or your move.
   
   What you WILL find, seriously, is heaps about the actual physical doorways on buildings in San Miguel.
   
   If you WANT the world's premiere photo-essay collection about the doorways in San Miguel, then this is a five-star tome all the way. Look all you want, you won't find better. If you want info about the city and culture of this red-hot expat community, look elsewhere.



4. but if not, you'll be bored senseless.



5. There is no doubt that this book contains fine photography of a very interesting subject. I just wish, however, I paid more attention to the product description: Product Dimensions: 8.2 x 6.3 x 0.5 inches. This is not a coffee table book, and each photograph is 4.25 x 6.5 inches. So don't expect a book of the dimension that usually does justice to these types of photos. Let's just say that I wish I had a much larger format with which to enjoy the author's work.
   
   That said and out of the way, the author/photographer hits the mark exactly with a very intriguing facet of Old Mexico and the charming colonial city of San Miguel de Allende. Cities like this have an ancient patina to them, something that only history and time can impart. Like most art, you either get it or you don't, and this author gets it.
   
   The book isn't a metaphor to life inside the city, it is exactly what the title states - a collection of beautifully photographed handcrafted doors. But there is more; even if you have not made the journey to Old Mexico, you begin to know it by the faces of these doors. Much like human faces, there is embedded in each a perspective of a life lived and served, and serving, such that the reader/observer begins to wonder about the depths of the soul of each residence.
   
   I have been to San Miguel de Allende on one of several motorcyle journeys through Mexico. It is a land of enchantment, wonderful history, lively tradtions, excellent food, and most of all, a rich culture and some of the most vibrant, friendly people in all the world. They literally open their hearts - and doors - to all who travel and visit with humility and respect.
   
   This book deserves a larger footprint to display the author's work. But since it does not, I hope it serves as a teaser to those who have never been to San Miguel, or Guanajuato, or Zacatecas and the like - to go and see, and open, doors both literally and figuratively to a world so close yet so far away. Viva Old Mexico!

2 comments about AAA Easy Reading Road Atlas 2008 (Aaa North American Road Atlas (Large Print)).

1. Ordered from Amazon on 1 Oct.'07, free shipping, slowest delivery time stated was approximately 5-7 days. Checked status on the 4th, hadn't even shipped, new estimated delivery date was the 19th! We depart on the 15th, way too slow, way too late! Maybe so new an edition they don't have it in stock? Then they shouldn't have shown it was in stock! I love Amazon's supremely efficient website, this is my first disappointing order. Sorry Jeff, I guess no one is perfect, you come close though!



2. Bought as a gift for my husband who doesn't want to wear reading glasses while traveling. The wording is large but so many roads are missing that the book is useless. Even the highways from one town to another are missing. You only get the large federal highways. I would NOT recommend buying unless you only go interstate highways.

4 comments about The Forgotten Peninsula: A Naturalist in Baja California.

1. This is one of the books that first drew me to Baja california years ago. Unfortunately much of what Krutch saw has inevitably been swept away by the rising tide of tourism & development, but enough remains that Krutch's lyrical prose is more than a eulogy, one can still find some of teh magic that he describes so well here. I would strongly reccomend this book to anyone planning on visiting Baja California and/or anyone who is interested in the intersection between natural history and literature -one gets both here.



2. This is the book we use on NOLS expeditions, and we have to literally carry these books. It is worth carrying.



3. You would think that with a subtitle like "A naturalist in Baja", you could expect this to be a nature guide to the area. You would be mistaken. Instead, this seems to be some sort of discourse on the human development of Baja California by a naturalist who has decided to play amateur sociologist. Most of the comments on the natural history of the region amount to a dry listing of the local plant life. The final chapter is prescient in its questioning of the sustainability of economic development, but the prose throughout the book suffers from awkward syntax and seems stilted even by 1961 standards. The description of the roads and towns is now so outdated as to be only of historical interest
   I was looking for a nature guide written in narrative style to take along on my first trip to the region, and this is definitely not what I had in mind. Aside from the grey whale and sea lion, this work does not even mention some of the marine animals for which the area is so famous - such as the whale shark and manta ray. If you're looking for a literate exposition on the Baja experience, consider instead John Steinbeck's classic Log form the Sea of Cortez. Although written even earlier, it remains timeless.



4. I first read Joseph Wood Krutch in an introduction he wrote to "Walden and other writings". Undoubtedly Thoreau influenced Krutch's world view and philosophy (so much so you would say that he evolved from a drama critic to a naturalist, although no doubt both of these interests occupied him concurrently at least for some portion of his life).
   
   The Forgotten Peninsula is a fine book by a naturalist. Krutch described the desert plants and marine animals as well as the human and natural history of Baja California based on several trips he made (some the "hard way" by 4-wheel vehicles, some the "easy way" by plane). The descriptions are crisp and vivid, if somewhat detached. I deduct one star because sometimes I wish he was a little more emotional, more personal and more passionate in his writing -- maybe this is why another reviewer thinks it is a "dry listing" (actually it is much better than that). Perhaps he was too content with being (and indeed he may have intended to be) merely an observer.
   
   The last two chapters posed some profound questions about the place of the human race in nature and the virtue of progress. This is a book written almost 50 years ago, reading these questions in the context of what the world has become now gives one much to ponder. No doubt a lot of things described in this book may have long disappeared, but ironically Baja is forgotten no more (ever heard of or seen on ESPN Baja 500?). Yet reading the book still makes one want to go to Baja California (a place I have not yet been to) to see what little still remains there.

5 comments about The Daybooks of Edward Weston.

1. This book stands alone in the annals of art history. No other book gives such an intimate view into the day-to-day trials of a working artist. Weston, who from time to time fostered ambitions of becoming a writer, genrously shares his thoughts and his experiences over a 15 year period, culminating in a remarkable portrait of the artist as a human being. While literary critics may have occasion to fault his prose, which at times seems flowery and verbose, given his Victorian-age education this can be forgiven of him. Weston takes us through his decision to leave his family and travel to Mexico, where he chronicles not only his own work, but that of other artists. He writes of the bullfights, love affairs, the scenery, and of the many unforgettable characters he met along the way. Weston moved in many circles, and thoroughly enjoyed himself, whether his company be artists or revolutionaries. He shares with the reader his many instances of self doubt, of guilt, and of poverty. He also shares his many triumphs, as his original photography begins to garner commercial success. We see Weston as an art critic, giving unflinching opinions of the works of Diego Rivera, Carlos Orozco, Robinson Jeffers, and a host of others. He is no less honest in his evaluation of his own work. Included in the volume are 72 extremely well-reproduced photographs divided into the various periods of his photographic life. We are givin a behind-the-scenes look at how these photographs were made, from both the artistic and the technical point of veiw. Most importantly, the Daybooks is not just for photographers or Weston afficianodos, but for anyone who appreciates a well-written autobiography of a remarkable artist.



2. This book is a great book to get to know the thoughts of Edward Weston on his daily work of photography and personal life. This is a diary type book of daily entries of thoughts. It has some funny points and sad points (as a lives do). Photographers today can identify with the great Photographer on his progress of daily work. If you want to see Edward Weston's thoughts in his daily life this is the book to get! I'd have to say it's awesome to know the thoughts and happenings of a great photographer of the past!



3. A fascinating introspective look into the mind of one of the great American photographers of the beginning of the 20th century, Edward Weston. With his intricate, yet simple, and sometimes abstract images, Weston created a world of his own together with his "one true love," his camera. By evidently pouring his soul into every entry of his daybooks, Weston makes the reader gain a greater understanding of his technique and extraordinary eye for beauty. The chronological organization of entries takes the reader from Weston's days in Mexico through his days in California.
   Not only writing about photography, Weston describes his many acquaintances (his encounters with Stieglits are most interesting), his dinner parties, his adventures in a foreign land, his romantic dealings, etc. It was interesting to read of his take on Mexico of the 1920's. Also interesting is the glimpse into the life of a struggling artist who depends of every "sitting" to survive...the life of a true artist. The pairing up of his writings with sporadic clusters of his wonderful photographs enhanced and completed this Weston experience. Alltoghether a fascinating compilation of thought, highly recommendable.



4. Second time reading Weston's Day Books over thirty years. First time I was young and only looking for technical hints. This time I'm much more interested in relationships, family, and Weston's struggle with his art, money and life A must read for all artists.



5. I can tell that this was a really interesting book. After reading it front to back more than once, I now have a new outlook on Edward and his work. I finally understand what he was trying to convey though his images thanks to this book. Edward Weston had a fascinating life especially with all who he encountered. This is a must read if you are an artist, photographer or not!