No comments about Adventure Guide China (Adventure Guides Series) (Adventure Guides Series) (Adventure Guides Series).

No comments about Ko Samui Encounter (Best Of).

4 comments about The Search for Shangri-La: A Journey into Tibetan History.

1. The author, a writer and oral historian with long experience in the Indian subcontinent, here describes his re-examination of the complex history of Buddhism in Tibet and India. He intersperses colorful chapters about traveling in Tibet among drier chapters on religious history. The mix does not quite work. While Allen's travel writing generally holds the reader's attention, only people with a serious interest in Asian religions would stay with the scholarly presentations all the way through. Even though I lived in South Asia for four years, I found the religious history heavy going. While the color photographs bunched in the center of the book are of good quality, I wished that they had covered more of the sites described by the author. Overall rating: three stars.



2. of Tibetan history than one often finds in Buddhist-authored books on the subject. The author combined known Near Eastern/Asian ancient and medieval history with personal observations of the land and its archaeology to arrive at some very interesting conclusions about (1) the pre-Buddhist religious history and cultures of Tibet, and (2) the development of Buddhism in this milieu. The frequent transitions in writing style, from travelogue to historical discourse and back, were sometimes awkward. But if you like books on comparative religion, anthropology, mythology, religious history, or ancient history, and are interested in Tibet, you'll have fun with this one! Overall rating: 4 stars



3. Il titolo è fuorviante. Il libro di Allen è la ricerca letteraria e filologica del mitico regno di Sham Shung, probabilmente posizionato nell'area del regno di Guge, fra il Ladakh ed il monte Kailash (cui Allen aveva dedicato un libro nel 1982: A mountain in Tibet). Ho compiuto un viaggio al Kailash nel 1997. Con sorpresa ho trovato che l'autore aveva effettuato lo stsso percorso pochi mesi dopo. La stessa agenzia (TIST), lo stesso albergo (Himalaya Hotel a Lhasa, gli stessi episodi (come la morte di un pellegrino indiano per mancanza di acclimatazione). Ma anche la piccola personale soddisfazione di vedere che il gruppo da me organizzato era riuscito a raggiungere i luoghi (Toling e Tsaparang) per cui Allen aveva invano chiesto il permesso.



4. Though the author brings about some important facts like the connection between the Bon religion and Parsis somehow the book does not really jell. It could be because the author does not speak of his own experiences - one gets a teeny weenie feeling that he is writing under some duress or pressure. May be asked by Chinese Govt. not to mention the unmentionables or that the book has been edited, rather severely, by the publishers. Something is wrong somewhere! Only those who're interested in the Bon religion can refer this book! Vacuous! Ineffective! Though the subject matter is really very good.

No comments about Ear Inn Virons: History of the New York City Landmark--James Brown House and West Soho Neighborhood.

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1 comments about Hong Kong: Front Door/Back Door.

1. The Architecture of Density
   
   Words: Rebecca Walker
   Images: www.photomichaelwolf.com
   
   German-born photographer Michael Wolf has been described by some as `humanly alert'. KEE talks to him about the urban dynamics of a complex culture.
   
   Michael Wolf views ordinary things in extraordinary ways. Culturally astute, Wolf's artistic inspiration comes from the local culture in which he immerses himself. Wolf has been fascinated by China's complex urban dynamics since moving to Asia as a contract photographer 10 years ago and his photography focuses on the idiosyncrasies of the Asian way of life. Insightful and absorbing, his latest book "Hong Kong, The Front Door/The Back Door" deals with the SAR's cultural identity through depictions of the city's architecture.
   
   Wolf was born in Munich and grew up in the USA. He began a career in photography after graduating from the University of Essen in Germany, freelancing for various international publications including Time, Spiegel and Stern. In the early 1990s Wolf had an epiphany. "I was sitting in my room in Amsterdam and suddenly knew I needed to make a big change in my life. I had a picture of the globe in my head and when I came to Asia I knew that was where I needed to go."
   
   His decision was a good one and it was in China that he found his ultimate inspiration. "I love the visual chaos of China. It is a photographers dream," says the photographer. Wolf's poignant portrayals of the lives and living conditions of his cultural environment are subjective and personal and have earned him international acclaim. As described by Art Critic Kenneth Baker, "By their formal intelligence and acuity of observation, Wolf's Hong Kong pictures easily earn the status of art works."
   
   Wolf's first book, "China in Transition" (2001) documents the disappearing grandeur of the Middle Kingdom in China. It is a compelling portrait of old culture embarking into modernity and casts a moving gaze at China and its people on the threshold of the third millennium. His second book, "Sitting in China" (2002) depicts a multifaceted China, from its chairs to the mindset of its people. Through a diverse assortment of compelling images, Wolf documents the beauty of the ugly, the stretching of time, the art of improvisation, and the nature of the stool as a portrait of its user. He often depicts discarded objects of the man-made world in his photographs and is interested in the "beauty inherent in used objects." He explains, "My parents are both artists and from an early age my mother took me to flea markets to rummage through a myriad of used knick-knacks. I love pattern and character, and the feeling that something has a history."
   
   Wolf's third book, "Chinese Propaganda Posters" (2003) showcases his vast personal collection of colourful propagandist artworks and cultural artifacts produced between the birth of the People's Republic of China in 1949 and the early 1980s. "Chinese Propaganda Posters" is whimsically structured to correspond with the chapters of Mao's Red Book and gives a sense of how the illiterate masses used images to define themselves in Communist China. "The posters give a sense of how the Chinese viewed their future at that time. The discrepancy between fantasy and reality really fascinates me and the posters are also very stylistically beautiful."
   
   In his latest release, "Hong Kong: Front Door/Back Door" (2005), Wolf continues to explore the theme of the organic metropolis. Hong Kong is one of the most densely populated metropolitan areas in the world and Wolf's photographs seek out the human spirit in the urban jungle. The images in the book depict the high-rises that shape the spatial experience of Hong Kong's citizens. Since Wolf himself is one of those citizens (he has been a Hong Kong resident since 1994), his photographs have a distinctively personal essence. "To me the concept of the `back-door' is far more interesting than the front. The back alleys contain a tremendous visual wealth. When you enter through the font door of someone's house you see what they want you to see: the best version. The back door on the other hand tells a culture's true story."
   
   A close look at one of Wolf's architectural images uncovers irregularities such as plants, laundry and scaffolding that interrupt the orderly design of monolithic apartment buildings. The monotonous regularity of each façade is given a distinct personality through human details. "When people don't have enough space, they improvise and adapt. There are many symbols of Chinese thriftiness in the book that are very telling of the Eastern mindset. In the West we throw things away when they break. In the East people take the time to fix things, it doesn't matter what things look like, as long as they work."
   
   Thought-provoking texts by art critic Kenneth Baker and designer Douglas Young are included in "Front Door/Back Door". The two pay a humanistic tribute to the ingenuity of city-dwellers and their content examines peoples' lifestyle choices and explores the concepts of form, function, identity, and design. As stated by Baker in the book's introduction: "The new Hong Kong residential architecture has turned the lives of the Hong Kong people inside-out." This assertion is supported by Young who says, "Buildings that begin as monoliths are slowly humanised by their inhabitants; architecture becomes a framework upon which people can hang their personal personalities."
   
   Young describes Hong Kong as a "city of contrasts" and says, "Architects (in Hong Kong) have ingeniously stretched the tolerance of strict building codes by squeezing as many households as possible into a given site." Wolf chose to collaborate with Young and Baker on this project because he was drawn to their cultural knowledge and artistic sensibility. "Douglas Young has a very interesting local vision of Hong Kong whereas Kenneth Baker puts the photographs into context artistically on an international level."
   
   Wolf's interest in the people and societal changes taking place in China earned his images first prize in the `Contemporary Issues' section of the 2005 World Press Photo Awards. Held annually, the awards have come to be regarded as the most prestigious for photojournalism in the world. Says Wolf, "I have been a photojournalist for over 30 years, so it's great to be rewarded for all my hard work."
   
   Wolf is interested in exploring a wide range of multi-faceted artistic pursuits and says he has an ever-increasing urge to work on his own projects. His installation art piece, "The Real Toy Story", is one such example. In 2004 he spent four weeks collecting over 20,000 toys from various charity shops and flea-markets, all with `Made in China' stamps. He then visited five toy factories in China where he photographed the workers producing the toys and the resulting artwork was an elaborate installation that incorporated 16,000 toys and embedded photographs. The installation was extremely well received by art critics worldwide and will be exhibited at the Museum of Contemporary Photography in Chicago in 2006.
   
   With the next 12 months booked in advance, Wolf shows no sign of slowing down. He stands by his motto: "If you are a vision and real conviction, you will find success." And that he has.

5 comments about A Beginner's Guide to Changing the World: A True Life Adventure Story.

1. Isabel Losada wears many hats: single mom, writer, traveler, and now newly christened activist. Journey with Losada as she tells of the seemingly endless trials and tribulations as a wannabe activist fighting for the religious freedom of Tibet. Interesting choice. Yet when the author explains her reasoning behind backing this particular cause, readers will fall into her line of thinking with a natural acceptance simply because Losada is so charming and sincere. Her expression of sadness over the rising regularity of terrorism worldwide is so commonly felt, so consistently lamented, that when Losada poses the premise of fighting the war on terror with nonviolence, it makes sense. Who then is the leading proponent of nonviolence? The Dalai Lama, of course. Losada determines that he's the man for her --- and on this basis Losada begins her story, her journey toward social activism.
   
   Making use of the famed serenity prayer, Losada divides her text into three main sections. Part One: "Grant me the serenity to accept the things I cannot change..." Recognizing that she has never done much besides navel-gazing, Losada decides to invest some time in protesting outside the Chinese Embassy, a not particularly auspicious beginning. Next, the author starts investigating, interviewing, and finally traveling to Tibet. Waking up in Kathmandu, Losada details in comical fashion the advice passed along to her from a girl in the know from Tibet: Never squat down in the bushes on the Nepalese side of the Himalayas. Leeches have a way of attaching themselves. Before you know it, you're pouring with blood.
   
   Sounds enchanting. Not to be daunted, Losada repeatedly hears the warning of altitude sickness, which can kill you. More seriously, though, were the injunctions to take extreme care in how one speaks to the Tibetan people regarding their loyalty to the Dalai Lama. And never, ever, hand out photos of the Dalai Lama as they're illegal. Losada does indeed travel and immerse herself in Tibetan culture where she sees both beauty and evil side by side, incongruously thriving together. Hard to accept.
   
   "The courage to change the things I can..." comprises the second part of Losada's tale as she begins making advances in practical activism without much initial success. From approaching the Free Tibet Campaign organization to requesting and receiving an interview with a member of Parliament, from setting up a company, a website, to delving into the nitty-gritty of fundraising via parachuting for donations, Losada makes even the most dreary activities both humorous and sobering.
   
   Finally, in Part Three, "And the wisdom to the know the difference..." Losada's journey becomes at once more introspective and profound as she receives an invitation to meet with the Dalai Lama. It is this portion of the text alone that will likely bring the most fascination to readers. Losada takes her time to carefully unfold the details of this once in a lifetime encounter and the results are most satisfying.
   
   While Losada communicates with regular dashes of humor and wit, she likewise is serious about making a difference in the world. Even the most socially complacent readers will glean tips on how vital doing "one's bit" is to a better, safer, more peaceful world. As the Dalai Lama so succinctly states, "If the individual acts, society is changed."
   
   --- Reviewed by Michele Howe



2. A Beginner's Guide to Changing the World is an amazing book.
   
   Ostensibly a book about a woman (author Isabel Losada) who decides to do something to help the people of Tibet (the Chinese should be ashamed of themselves for what they've done to that peaceful country!), A Beginner's Guide is a book for anyone who longs to LIVE life to its fullest. It's a book for people who yearn for adventures, yet never take the first step toward making them happen.
   
   It isn't just for people interested in Buddhism, either. It's a fun-to-read, inspiring book that anyone, of any religious faith, could embrace and enjoy.
   
   Written in a breezy conversational style, A Beginner's Guide is a tale told wonderfully and joyfully. It recounts Ms. Losada's adventures in Tibet, revealing a side to that country's people the Chinese don't usually let people see. If you'd like to see Tibet, but don't have the time or money (or government permission) to go there, A Beginner's Guide to Changing the World is the next best thing.
   
   I wholeheartedly embrace Ms. Losada's desire to help the people of Tibet. I think what happened (and is happening) in that country is just as terrible as anything that happened to the Jews in Nazi Germany. A Beginner's Guide to Changing the World is one woman's attempt to come to grips with the enormity of the situation and to do something about it. (And you'll never believe what kind of things she dreams up to do about it!)
   
   But, again, this book is not heavy-handed or dire. This is one of the most joyful and positive books I've come across in a long time.
   
   I strongly recommend Isabel Losada's book A Beginner's Guide to Changing the World.



3. In A Beginner's Guide to Changing the World Losada decides to devote a year of her life to a worthy cause in an attempt to see whether an individual can make real changes. Her chosen cause is the Tibetan situation. This makes the book sound incredibly serious, but what I like about Losada's style is her way of communicating as if she & you are sitting in the room together & she's chatting to you personally. She is a very witty writer & what could be a dry and depressing topic is actually very funny at times, whilst not losing sight of the serious objectives.
   
   The book is divided into three main sections. In the first part Isabel Losada recounts her decision to travel to Tibet & see the situation at first hand. This reads as an exciting travelogue & paints at times an amusing and then touching picture of Tibet & its People. In the second section back at home in London, Losada contemplates the possible ways she could support the Tibetan cause, culminating in planning a daring publicity stunt promoting the Dalai Lama's peaceful stance against violence at a time when the world had embarked on the `War on Terror'. In the third section of the book Losada is invited to Dharamsala to meet His Holiness himself.
   
   You can expect to experience the full range of human emotion as you read Losada's account. At times she is laugh out loud funny, at others you'll be outraged by the callous treatment of the Tibetan people by the Chinese occupiers. You'll find yourself sharing Losada's frustration in her search for a way to make a difference and her excitement and nerves in mounting the stunt. Then there's the anticipation of meeting His Holiness- I had a tear in my eye & felt I was in the room with them.
   
   (...)



4. This book talked much about what we already knew about the plight of Tibet, Tibetans, and Dalai Lama. Still, I'm continuously pilfering through books written about Tibet lest I forget human's propensity to do atrocities against their fellow human beings. Whilst we think that sacrifices made during World War 2 would remind people not to resort to violence to resolve issues, it happens yet again in our lifetime. Examples are everywhere namely Iraq occupation or revolution depending which sides you are on. The irony of the whole thing is that the main power that ended World War 2 would be the aggressor in this instance in the name of profits. From this book, it's obvious that Isabel has a pure heart and she asked quite rightly why we are actually penalising Dalai Lama when he's the one who preached non-violence to overcome obstacles. She also said it quite rightly about fighting might with right. Cynical readers might be worried that this book is one-sided, China slamming. It's actually not like that at all. Isabel pointed out also that the ways activists were dealing with issues might be at the wrong footing or rubbing China the wrong way. Ultimately, Isabel just shared with us her experience of trying to help Tibets, Tibetans, and the Dalai Lama. It's funny, heart-warming, and straight to the points at times. For those readers that want to know about those three main issues and yet, don't want to read a dry book, I guess this is a book that you can try to get your hands on. It's quite an enjoyable read, really.



5. I loved, loved, loved this book. It was exactly the right book for me. I almost didn't buy it, though. I'm on a must-resist-book-buying sort of budget, but my husband pointed this book out to me at the bookstore. After reading the "Ten Indispensable Things You Need to Change the World" on the back flap, I knew I had to buy this book. (#1 is "A cupboard. To put your TV in." Something I know I should do but don't.)
   
   The book is structured around the author trying to get a better grasp on the serenity prayer, which she has carried with her for years:
   "Grant me the serenity to accept the things I cannot change
   The courage to change the things I can
   And the wisdom to know the difference."
   
   That first bit is where I get stuck. I feel this immense responsibility to devote my life to "changing the world" but I just end up feeling overwhelmed (duh, can you imagine?) and frustrated when I see that there's no silver bullet solution to anything. This book spoke to me in a way that no one ever has. No matter how many times someone has said to me "There is no silver bullet" or "You can't change the world in a day" or whatever, I nodded in agreement but didn't really agree. Deep down, I truly believed that there is a silver bullet and I just had to find it.
   
   But this book taught me that though there may be a silver bullet out there, devoting your life to finding out what it is isn't nearly important as *doing* something that brings you joy and makes you feel as if you're contributing something to the solution. I don't want to ruin the ending, but I will if I say much more than that.
   
   I just really, really loved this book. It's exactly what I needed to read. Thank you, Isabel Losada, wherever you are.