No comments about Rand McNally (Rand McNally Folded Map) Chicago 150 Mile Area.

No comments about Free Chicago: Free things to see and do in the Chicagoland area.

4 comments about Edward Weston: The Last Years in Carmel.

1. Not just a great presentation of Weston's last productive years, the essay by the Chicago Art Institute's Curator of Photography provides the best understanding to date of what it means to be a mature artist - and why it was that Weston was viewed by his peers, including Ansel Adams, Minor White, Imogen Cunningham as the consummate photographer, the proof that photography like other forms was capable of synthesizing interior and exterior realities into works of profound emotional and aesthetic power. A great contribution!



2. Edward Weston was one of the most squirelly, yet most talented photographers in the history of the medium - he rarely smiled, wore women's clothes, never learned to drive, married a woman 30 years his junior, lived in a shack in Carmel and loved philandering with Tina Modotti and others. He died with $300 in the bank in 1958, yet his photograph of a Circus Tent went at auction a few years ago for $266,000. His influence on photography and photographers was immense. Two of his four sons, Brett and Cole, became accomplished image makers and his grandson now carries on that same tradition, even living in the same shack on Wildcat Hill in Carmel. This book covers roughly the last 10 years of his photographs 1938-1948. The images are superbly produced and well-chosen but the text was a bit overbearing and heavy on the theory that in the last years Weston was overly concerned with death which was represented in his images. Certainly his images of Point Lobos are a bit dark and morose with pictures of dead trees and pelicans, but that's Point Lobos! During this period he also made whimsical images of his wife wearing a gas mask in the nude and playing a flute while a cat looks on with a surprised glance. Weston was full of LIFE, not death. Thirty years before his death in 1958 he made an image of a corpse at a time when his relationship with his future wife was rosy and he was spending time with his beloved sons. His final work does not seem any more concerned with death than it was in his earlier years. But, forget the text! Photography books are similar to Playboy magazines anyway - we buy them to look at the pictures, not read the text!! This is a terrific book and I can't wait to view the actual images at The Art Institute of Chicago.



3. A finely printed book that features more than the regular images that every other book has. The essay is a very worthwhile read. It offers wonderful insites to the photogrpaher at the end of his working career.A real must to any Weston colection of books.



4. This is a catalog for a show currently at San Francisco MOMA, launched in Chicago last year. (Weston came from Illinois and did most of his work in California.) It is essentially a re-edition of Weston's My Camera On Point Lobos, published in 1951 and again in 1968. The major change is text by David Travis replacing excerpts from Weston's daybooks in the original.

   The text is intended to humanize someone who is mostly mythical by describing and interpreting events in the last years of his life at Point Lobos. It presents the author's analysis of Weston's career, state of mind and the evolution of his late style. There is little or no new material here and the analysis is strained, but thoughtful.

   There are some intelligent comparisons presented of Weston's late and early views of the same subject. As a collection this is not a good introduction to Weston. It is a good final chapter to the Daybooks and a beautiful collection of reproductions. It is also a good companion to Ansel Adams at 100, showing how these two friends viewed many of the same subjects so differently. It would be a good addition to reading Charis Wilson's Through Another Lens, showing many pictures of domestic life including Weston's children, cats, and many of Charis Wilson. There is a lot of "inside baseball" here, both explicit and implied.

   There is at least one important image in the show that is not in the catalog and there are many important omissions from the show itself, which make this a poor place to start studying Weston's work. For the record, both Weston and Adams experimented with color in the late 40s, shooting the same images in color and black and white. The color images aren't good but they are a very good way to show why their respective monochrome images are so strong.

   It is worth repeating that while the printed images are as good as any you'll see, they are not even close to the 8X10 contact prints in the show. This really matters in Weston's work. If you have a chance to see the San Francisco show, before it is put away for another 10 years, you will also see additional earlier prints from SFMOMA's outstanding permanent collection which put the theme of the show into context that is missing from the book.

   This is Weston when he was only satisfying his own search for meaning, not making statements or presenting his vision to the world. These are his final meditations and he knew it. They are by far his richest and most abstract work and worthy of a lot of study.

4 comments about The Shark God: Encounters with Ghosts and Ancestors in the South Pacific.

1. What is relegion? Why do we believe what we believe? These are important questions since all of us look for meaning within our existence. This book offers valuable insight into those issues. Not just a travel book.
   
   This well written book takes you deep into the South Pacific like no other book I have read before. In many ways this book transcends the travel category and takes you into the relm of relegion and theology as well as anthropology and a little political science thrown in too just for good measure. I was very pleasantly surprised.
   
   I also like the way this book helps to educate us on a part of the world that is so far off the beaten path, at the edge of our existence, that we ignore it. Huge mistake. Read this book, ponder the issues it brings up, and you will learn a lot.



2. As a correspondent I was in the Solomons for most of the key moments - and many of the darker moments of the civil war on Guadalcanal. Montgomery, whose original motivation was plainly to write some kind of family travel account, was deeply changed by what he saw and felt. As were we all. I never met him during the dramas, suggesting he kept away from the media events linked with it all. For this we all owe a very deep debt of thanks; he has bought a powerful light to parts of the story that needed to be illuminated. The horrors of Harold Keke and his gang, off set by the glories of the Melanesian Brothers. This is a major Pacific work; something to be celebrated and cherished.



3. Having a missionary ancestor is a fine prompt for travel. Most early missionaries, to justify their existence and purpose, were dogged journal keepers. Montgomery's grandfather was no exception. Rev. H.H. Montgomery had not only kept extensive notes, but much of that collection and other thoughts were produced in a book, "The Light of Melanesia". Discovering that account led Vancouver-born Charles to light out to the Pacific to see the results of his grandfather's and other missionaries' endeavours. In keeping his own records, Charles has produced a 21st Century adventure yarn of captivating interest.
   
   If there is a pivotal point in this book, it is the 1871 "murder" of Bishop John C. Patteson. The bishop seems to have died happy - martyrdom has an appeal to some religious folk. The century following may have justified his bizarre view, since his death has become a symbol to the local people. For one thing, they are able to brag that "we don't kill white folks any more". The author has some reason to doubt this claim as he travels through Vanuatu and the Solomon Islands. He has trouble separating the various Christianities spread throughout the islands. A good many of them are still practising various forms of ancient witchcraft as part of their new religious activities.
   
   Montgomery sets himself a quest to find Melanesian witchcraft in its pure form. This is easier told than accomplished, since today's missionaries, and many of their converts, hunt down the practitioners. Sometimes with violence. The islanders, however, have a long warrior tradition supporting their activities and working out winners and losers is challenging. Still, for him to unearth the ancient practices, he must trek deep into mountain hideaways, convince those claiming to hold special powers that he won't reveal them to Christian authorities, and come away unscathed. If the Melanesians don't do him in, the weather is always waiting for its own chance. "Getting there is half the fun" as the author haunts docks and ships seeking elusive transport. Ships run weekly, monthly, or when fuel money is produced. His persistence ought to be worth some kind of award.
   
   His luck might be due to some recognition, as well. In the islands, the witchcraft Montgomery seeks is based on "mana". Mana is the life force and may be transferred from one human to another - by head hunting [cognitive scientists take note]. The more exalted the victim, the greater the mana. The missionaries, and the military forces they frequently called in to support them, sought to quell the practice. Their substitution was "Christian love", which often took a beating when the islanders objected to their land being taken or their wives and daughters raped. Montgomery laces the history of missionary work with his personal account seamlessly. Daily confronting the results of what the missionaries imposed [this book was originally titled: "The Last Heathen"] Montgomery's scepticism of their work can only be enhanced. Belief, however, is an immense force among humans. Montgomery realises he cannot dismiss it thoughtlessly. The result of his quest results in a fascinating essay on what "religion" has come to mean to the Pacific Islanders. It's far from what the missionaries intended - and intend - but it's demonstrably real. The book is a valuable social commentary, both about the Pacific islands and our own culture. [stephen a. haines - Ottawa, Canada]



4. We're all interested in God. (Even atheists make a theological statement when saying there is no god; and presumably, they've said so based on an informed consideration of some sort.) Montgomery takes us on an extra-ordinary quest in pursuit of God-knowledge. And he does so in the footsteps of his great grandfather, who was a missionary to the people of the south sea islands. He starts as a well-studied skeptic on a grand adventure. Along the way we encounter history and myth surrounding magic, cannibal stories, hallucination, faith, and genuine self-sacrifice. And we see our stalwart tour guide grow as a result of his quest. His appreciation for the power of myth expands to reveal the truth that it can convey. And his spirituality makes a significant transition from that of someone inquiring into the basis of religion -- to observing its significant influence on the human family, in practice.
   
   There are occasional sentences written in a creole which might require a bit of a stretch for some readers -- but it really is English if you sound them out carefully. (Let your eye and ear work together to parse those words, out loud, if necessary.) The editors would have done well to include a glossary for those who are intimidated by foreign-looking words. But please don't let this discourage you from this very enjoyable book which tracks a coming of age from spiritual infancy into a dawning maturity.
   
   ~eric.

No comments about POP UP MAP CHICAGO, ILLINOIS.

3 comments about Chicago's 50 Best Places to Find Peace and Quiet (City and Company).

1. I'm the author, so I am, admittedly, biased. But I want to let prospective buyers to know that every spot in my book is open to the public, and that nearly all the places are free or low cost. After all, peace and quiet should be accessible to everyone, not just the wealthy. I cover all regions of the city, as well as at least one or two suburban spots in each direction. "Chicago Tonight" and WBEZ both did features on the book--I think you'll be pleased if you buy it.



2. This book is great for an afternoon get away! Also my husband and I have used it for great inexpensive dates!



3. It's about time. In a city that's louder than hell, this book was long overdue. The author did the subject justice - her choices prove that she really knows Chicago inside and out - and her writing is always entertaining.
   
   I highly recommend this book, not just for Chicagoans in search of some solace, but tourists who don't just want to hit the usual (overcrowded) spots. Whenever my mom comes to visit, everything is too loud for her. This book solves that problem. Seek it out!

No comments about An Explorer's Guide to the Field Museum.

2 comments about Modern Trains and Splendid Stations: Architecture, Design, and Rail Travel for the Twenty-First Century.

1. Compiled and edited by Martha Thorne (Associate Curator of Architecture at The Art Institute of Chicago), Modern Trains And Splendid Stations is a wonderfully descriptive and impressive collection of photographs showcasing inner-city railroad travel stations in North America, Europe, and Japan. Gorgeous color pictures, railway station histories, and an informed and informative wealth of background information on each spotlighted railway make Modern Trains And Splendid Stations an enthusiastically recommended title for personal and academic Architectural Studies, as well as a welcome contribution the reading list of any railroad buff.



2. In my thesis research on railway architecture, this book has been a delightful read. My opinion is that the "meat" of the book is in the essay written by Thorne, "Renaissance of the Train Station."

   She covers pertinent points about the historical experience of railway travel and its development as an infrastructure. Her comments are well developed and informed of timely events. Wessner and Phillips expand on the development of the infrastucture in Europe, Asia and the United States respectively.

   I was very pleased with the coverage of the projects as well, and have made this volume a keystone of my architectural library.

No comments about Behind the Lions: A Family Guide to the Art Institute of Chicago.

1 comments about Chicago the Beautiful.

1. As a native Chicagoan, this book was a revelation to me. I had no idea how much the city had changed since I left 5 years ago. Millions of dollars have been spent to affect an "Environmental Renaissance" - new 'green' zones, wildlife habititats, rooftop gardens, etc. The photography is breathtaking, and the writing is almost conversational. If anyone knows Chicago better than Kenan Heise, let him or her speak up! If you are a Chicagoan, this book will introduce you to a city you never knew. If you aren't from the city, this book may convince you to move there!