5 comments about Living and Working in Australia, Third Edition: A Survival Handbook (Living & Working in Australia).

1. Having read a number of publications of similar approach I must admit this one's outstanding. The information provided is not only considering almost every single aspect of living in Oz, but most important: it's (imho) spot-on and even pretty much up-to-date. David's writing is fun and easy to read and I would recommend this book to everyone on the move down under.



2. I bought this book when I found out that my company had actually agreed to transfer me to Australia ... but they were giving me very little help in what to expect. This book is not a "travel" guide. It's a practical guide on how to settle down in Australia - things like, how to get a drivers licence, where to apply for a tax file number, even how to do a hook turn in Melbourne. It has never steered me wrong, and I've recommended it to many expat friends.

   A must-have if you're thinking about moving there.




3. I moved to Australia from Israel, and this book was of great help.
   
   Cultural idiosyncrasies are explained to minimise "culture shock", and possible problems are not avoided (despite the fact that the book is associated with a migration agency as I understood). I'ld say that sometimes the warnings are more like disclaimers, but I guess better safe than sorry. "To do" lists are used where applicable - great help when you're in a new environment thinking what to do next.
   
   Another major "pro" is that this book is not just for people from UK or US or other Anglo-Saxon background. The author takes a generic, explain-it-all approach.
   
   One thing which I think the author should change is the migration section. This is the reason I didn't give it 5 stars. This is no author's fault, of course, but the migration laws in Australia are changing at lightning speed - so there is no point to depict them in such detail. Furthermore, as much of the information in that section was hopelessly obsolete already in 2004 (for 2004 edition), it is plain misleading. Future readers - consult official sources instead, but for the rest, you can safely rely on this book.
   
   Otherwise, I couldn't think of a better source of information.



4. We are looking to migrate to Australia and wanted to do our research. This book gives practical information on everything from visas to schools to jobs. It gives lots of useful facts that will help anyone looking to move to Australia - such as your drivers license is generally accepted for up to one year, you don't have to get a new one until then! Info on car insurance, cable and phone companies, bus routes, ferry service, PHONE NUMBERS AND WEBSITES! This is THE book to get if you are going to be moving to Australia or visiting long term. Hands down.



5. This is an excellent book, which I really recommend to buy! It contains all the information required to emmigrate, live and work in Australia. Is written in a friendly language and has several useful websites and phone numbers. If you are thinking of emmigrate to Australia or you are already living there, this is the book for you!

5 comments about Waltzing Australia.

1. What a lovely book: a smart combination of memoir and a fresh view on the usual travel story. No one could write this well about travels in Australia without a true love for the country, its people, and its remarkable landscape. Cynthia Clampitt surprises us with a writing talent and story-telling technique that is tough to master, yet she is consistently compelling to read. She puts her full energy into explaining culture, history, anthropology, animal life, and the rigors of being a woman on a long solo journey. Honestly, I'm only 147 pages into this big book, but could not wait to share my enthusiasm for Waltzing Australia.
   
   Helen Gallagher, author: Release Your Writing: Book Publishing, Your Way



2. This is such a wonderful and compelling book! As a nature photographer, I have a sense of adventure and a love of the outdoors that is shared by Cynthia and expertly conveyed to the reader along the way. I was amazed at her journey and felt I was right there with her. I found myself reading slower during the last few chapters of the book as I didn't want the journey to end. This book really brings to life the wonders of Australia and I admire Cynthia's adventurous spirit and joy in discovering all that nature has to offer.



3. This is a compelling tale of adventure and dreaming. Cynthia takes us on a journey and climbs her 'Everest'. Many Australians make similar journeys to Cynthia- it is still a challenging country to travel through. Yet as we share her travels something becomes clear; there is one thing that most of us cannot do.... and that is to write about our adventures and dreams in such an engrossing way. This is what marks this travel book apart from other similar tales; it is a piece of literature. As an Australian I could almost smell the scent of eucalyptus leaves coming out of the page. (This is the highest praise an Australian can offer!)



4. I have been to Australia three times, from East to West. At least I thought I had been to Australia until reading Cynthia Clampitt's Waltzing Australia.
   
   Waltzing Australia is Cynthia Clampitt's record of a long trip she took to the world's largest island, the driest continent - the only nation that is a continent. Through her record we share this trip. This book is not your normal travel story...
   
   First of all Cynthia didn't go to Australia for vacation. She didn't go for altruistic reasons, to help the locals. And she damned sure didn't go for business opportunities.
   
   She had an obsession.
   
   Cynthia quit her job and off she was for five months in Australia. Starting out in Queensland she headed in a westerly direction then looped back around and headed East until she got to Sydney. And she soaked up everything. Nature. History. Geology. People.
   
   Waltzing Australia is a well written account of this trip, written almost as if it were a lengthy personal journal (just over 500 pages). But I say "almost as if" this were a journal because Cynthia didn't just keep track of her experiences - she kept track of the essence of this large, dry continent.
   
   When reading Waltzing Australia I got the distinct feeling that Cynthia Clampitt and I have lots in common. Well, then again, maybe not. I have traveled the world but have done it in a much different way. Cynthia started with Australia out of college. I started with the Navy after high school. Cynthia moved back into "normal life" in the United States. After a few decades, I, on the other hand, am still overseas. Cynthia chose a location to know well and chose to live frugally. I chose to build my businesses around an area so that coming and going were up to me. But we have that wanderlust in common. In reading her opening chapters I understood this obsession of Clampitt's. I had the same obsession growing up in rural Arkansas, wanting for the life of a world traveler. And of all the enchanting places that I have been, whether I lived there or only visited, I share the sentiment of the bittersweet description Cynthia Clampitt gave of leaving Australia.
   
   It will always still be there...



5. I never knew what exactly enticed my daughter when in her late teens she was determined to travel for six months to Australia exploring a country that is called "Down Under." (If you are wondering why it is called "Down Under," it is because it is the only continent with a permanent population that is entirely below the equator and thus it has been given this name.) After all, wasn't she supposed to follow her friends and pursue the usual trip to Europe? However, after reading Cynthia Clampitt's Waltzing Australia, I well understood why this mesmerizing and enthralling country would lure anyone to explore it from one end to the other.
   
   Clampitt is a freelance writer specializing in food, travel, and history. As her bio mentions, the life she now leads began with a dream that seduced her away from her corporate career and led her to Australia. In fact, since her dream took hold, she has traveled to China, Cambodia, Vietnam, India, Thailand, Mexico and several other countries. There is an old saying that no matter what happens, travel gives you a story to tell and this is exactly what Clampitt does as she permits us to relive with her an amazing six month twenty-thousand journey circling and crossing Australia.
   
   Beginning in Queensland, readers follow Clampitt through the Northern Territory, Western and South Australia, Victoria, Tasmania, Canberra & Environs, New South Wales, Sydney. Using comprehensive notes jotted down in log format, she effectively chronicles the pulse of her escapades and gives her readers one hell of a ride as she describes what she saw, smelled, heard and felt pertaining to some of the more interesting colorful and historical venues.
   
   Just as an artist would have a sketch- book handy, Clampitt traveled with her journal recording intriguing scenes, descriptions of people and places. For example, the famous Great Barrier Reef is brought to life where we learn that it is 1,250 miles long and supports more animal life per square mile than any other region in earth. In addition, as mentioned, "it is the largest structure ever built by living creatures, constructed over thousands of years by tiny coral polyps." Clampitt leaves her readers with stunning and breath taking images when she describes the reef with its tiny, brilliant yellow fish darting among the channels of enormous, green brain corals. The giant clams, some of which measuring four feet across, turning on their mauve, purple, and green mantles to collect food.
   
   With her keen sense of time and place, Clampitt has grasped the essential ingredients of good travel writing avoiding a common pitfall that some travel writers yield to in that they merely recycle factual information. However, such is not the case with Clampitt who manages to elegantly mix her own personal observations and musings while throwing in a little history and geography. Moreover, as we tag along with Clampitt, we notice how she places us firmly on the ground she describes. In other words, we perceive and experience the same venues as she does utilizing all of our senses in order to enjoy this alluring and captivating learning experience.
   
   As for the people she met along the way, although she was travelling solo, she never felt alone due to the fact that Australia never gave her much opportunity to feel lonely.
   
   Wherever she went, there was always someone to talk to, even Aborigines. Clampitt recounts when she stopped to photograph some beautiful pink flowers, a white-haired Aborigine with limited English stopped and told her about oleanders and picked a branch for her. They even managed carry on a conversation where she discovered various other plants.
   
   Waltzing Australia is a splendid travelogue that delivers in spades and anyone contemplating a trip to "Down Under," or even armchair travelers, would be more than satisfied with its abundance of intriguing revelations. By the end of the book, I felt as if I actually sat beside Clampitt as she explored beautiful Australia.
   
   Norm Goldman, Publisher & Editor Bookpleasures

3 comments about Fodor's New Zealand 2007 (Fodor's Gold Guides).

1. If you're looking for something that you can take along with you for reference, then this book is not it -- it's way too clunky. If you're COMPLETELY unfamiliar with the country, then this book is for you. If you're going to visit EVERY part of the country, then this book is for you. But if you're only going to do a city stay, or see one or part of one of the islands, then this book is NOT for you. If you already have your itenarary planned out, then this book is NOT for you. About the only thing that I liked about this book is that it gave me some ideas for side trips, and a map. Both of which I could have gotten when I arrived in New Zealand.



2. I have just got back from New Zealand, and got the 2006 guide with me...
   
   And I must say that the good thing about these books are the tips they give on each city, and yes, it also gives an idea of the itinerary you can chose by the ammount of days you will be going to...
   
   Even though NZ is a place fully prepared to be receiving tourists and Visitors Information centers just about everywhere in the country (for Real !!) and with plenty of information (that sometimes can cause confusion), the book was something that me and my wife always liked to read and get some of the tips.
   
   The only drawback is that it does not point out at a Budget or even shoestring travel.. It is more on the medium to high profile by some of the guidance the book gives to you (about 80% of the time), but is a real good thing to take along.
   
   We definitely liked it, and I could say that a lot of the tips we actually (restaurants, places to go..) followed and we satisfied with it.
   
   You will like and for the price, it's worth to take at the trip.
   
   And you will just love New Zealand... I bet you will !
   :-)



3. This has been an excellent source of information for my friends and me. We are going to New Zealand next year and know nothing of the country. Since we are planning on visiting wineries, we were happy to find enough on the subject to start planning which ones are "musts" to see.

2 comments about We of the Never-Never and the Little Black Princess.

1. Two novels in one.

   We of the Never-Never does nothing to make you care for the assorted host of characters. Everyone seems to be a charicature, not a true person. Rather boring, would not recommend.

   Little Black Princess is much more enjoyable, you care for Bett-Bett and learn very interesting things concerning the culture at that time. Would recommend.




2. When author Jennie Gunn wondered why Bett-Bett "shutim eye quickfella" in the presence of her uncle Goggle-eye, Bett-Bett explained, "Him little bit father belong me." In the 1920s that was as close as Gunn dared come in print to acknowledging that, among the Aboriginal tribe on her husband's acreage, a wife was automatically sexually available to all of her husband's male relatives. By Gunn's time, the fact that a child had only a single father was known. The "little bit father" status of all of her mother's intimates was a holdover from a much earlier time when it was still believed that children were jointly fathered by every man who had deposited his sperm into the child's mother.
   The social conditions described in We of the Never Never no longer exist. The book is as useful a source for a period of Australian history as is The Grapes of Wrath for American history, even if Gunn is no John Steinbeck.
   By the way, the author is not Aeneus Gunn. It is MRS Aeneus Gunn, Aeneus's wife Jennie.

1 comments about Travelers' Tales Australia: True Stories (Travelers' Tales Guides).

1. Not only does this collection of essays inspire one to travel to Australia, it inspires one to come back and write about it. The quality of the pieces is top-knotch and the selections hone in on specific and surprising aspects of Australiana. Stories of travellers who spear-fished with Aboriginals and trekked through the desolate Red Centre ignite a sense of adventure and offer appealing travel alternatives. The material is always vivid, clear, and exciting, but is not just a travel brochure. Authors certainly portray the bad with the good (although good usually prevails) and the mixture of sources ensures a good variety of serious, humorous, and romantic styles.

No comments about Cool Restaurants Sydney (Cool Restaurants).

1 comments about The Rough Guide to Melbourne 3 (Rough Guide Travel Guides).

1. This book was very handy when we went to Melbourne last month. We bought this and a city guide, and found this book to be much more our style. If all the Rough Guides are this handy, then it's a great series. I am certainly going to try one the next time I am going on a trip. (Usually I buy "for Dummies" books, but since we were strictly relegated to Melbourne on this past trip, I didn't want to buy an all-Australia-oriented book!)
   
   Could have used a bit more data on the seedier aspects of the city (because all cities have their dark side, and it's nice to know the etiquette), but overall, it was very useful.

5 comments about At Home in Bali.

1. First my complaints.

   For what I consider to be a coffee table book, the quality of the photographs (on average 1-2 per page), was incredibly poor. They were simply very blurry and not sharp at all.

   The book also doesn't quite know whether it wants to be a book on architecture, interior design or Bali society gossip column. I especially hated the constant name dropping on "so and so" used to be the life of the Bali party scene and how extravagant the parties were (well, I guess that has gone away definitely since the Bali bombings). I don't mind a short blurbs on the owners, but enough is enough.

   Now to the good points.

   The author is a well known and accomplished landscape architect in Bali, so he obviosly knows what he is talking about and what the owner was trying to accomplish in creating these wonderful houses.

   But I think you can get the same thing from other recent books by the same author, which has much sharper and clearer photos.




2. I would like to comment on a previous review, on this fine book, as a photographer i am happy to see Isabella Giananneschi work as different from the usual "sharp" "crispy" and predictable images, hers is very expressive and for someone who lives for 6 months in a year in Bali, she was able to capture the mood of the place beautifully. I also believed that she should be credited for bringing her work to a higher level of sophistication.this book is a must buy and 5 stars to the photographer and the author for thier efforts!



3. I agree with Mr. Chiu in one of the previous reviews. I was expecting great photography in this type of book, but instead the book is filled with small, grainy, blury pictures. A much better 'Coffee Table' book is 'Tropical Asian Style', in my opinion.



4. Australian-born landscape designer and architect Made Wijaya (ne Michael White), resident on Bali since 1973, takes us on a private, guided color photo tour of twenty-four exquisite dream dwellings of the rich and famous. This lush pictorial essay displays the diversity, romance, and mystery of Balinese architecture: gorgeous bamboo and coconut wood barn houses, traditional rice storage bungalows, sumptuous estate grounds, water buffalo hide canopies, extravagant plunge pools, modern beachfront compounds hidden away in pandanus thickets, and royal water palaces. The reader's memory fills in the exotic, background atmosphere of dimly lit, shadowy courtyards; languid open-air pavilions; lava stone shrine silhouettes; the night time tinkle of village gamelan music through the thick foliage--and the sweet Asian smell of heat, flowers, and fire.
   The concept of "home" in Bali is the "buana alit," a "small world," or microcosm of the greater world outside: lavish photo after photo transports us inside houses set like precious jewels in sculpted rice fields, rural villages, and isolated mountain eyries. This is where lucky strangers in paradise (painters, anthropologists, celebrities, rock stars, socialites, film makers, architects) have selectively carved out their own individual piece of an island paradise. Wijaya reminds us that the foreigners who came to Bali and fell in love with it designed these magnificent retreats as an extension of and as "an homage to that love." Photographer Ginanneschi uses a crisp, telling juxtaposition of interspliced color and black and white imagery to depict the contrasting spheres of east and west, and of native-born Balinese and their adopted, reborn-as-Balinese neighbors. The exceptional residences of the expatriates are recorded in brilliant splashy color while the everyday lives of the local people are shot in hazy, almost sepia-tone black and white. These muted snapshots capture the busy communal essence of Balinese life: readers are left to marvel at the sea of faces, families, and communities, and the elaborate pageantry of village markets, rituals, and religious ceremonies. For all their splendor and opulence, the glossy Architectural Digest showplaces appear deserted and surreal--compellingly isolated from the vibrant, teeming life swirling all around them. At Home in Bali has great appeal for devotees of fine homes and gardens and architecture buffs (note the Javanese, South Indian, Chinese, Dutch, and Portuguese styles and influences). Tourists to Bali will treasure this book as a special keepsake of the natural (and manmade) beauty they have savored during their eye-opening sojourn to the center of the archipelago.



5. This book has given me many great ideas as we are redoing our outdoor area in Perth, Western Australia & we love the Balinese gardens & building styles.

4 comments about The Solitude of the Open Sea.

1. In the nineteen-nineties, approaching the age of forty, Gregory Newell Smith gave up his career as a Seattle corporate lawyer, sold most everything he owned, bought an ocean-going sailboat, and set out to see the world. After logging more than 45,000 blue water miles, and circling the globe aboard his Fast Passage 39, Atlantean, Smith returned to the Northwest to write a book about his travels. It's a dream many of us have had, and few have followed through on.
   
   "I wanted to write about what it was really like to be out there," Smith said when I spoke to him recently about his newly published book The Solitude of the Open Sea. "Extended travel is a life changing event, but it didn't make sense to tell readers everything I did in the three and half years I was underway." Smith's solution was to craft a collection of seventeen stories from his journeys, each of them drawing upon a particular experience in order to address the themes of his book, which he describes as "broadening our horizons beyond the known and commonplace, freeing ourselves from cultural self-centeredness, and achieving self-discovery through perseverance, hardship, and solitude."
   
   Smith begins with the title essay, an account of his fifty-three day solo passage from Panama to Hawaii. Though Smith rarely traveled alone-he used pick-up crew for nearly all of his ocean passages, and the Hawaii passage actually takes place near the end of his journey-it's a good place for the reader to start, because Smith's perspective throughout the book is very much that of the lone traveler confronting a "world of strange customs . . . and people who don't look like us or speak our language." Almost all of Smith's stories address his experiences ashore (only three of them are set exclusively at sea), and they do not appear in chronological order, which may frustrate those readers looking for the typical "went there and did this" account. For this reason, I would say The Solitude of the Open Sea is more a collection of travel narratives than sailing stories, though I imagine it will be the armchair sailors who will be initially drawn to the title.
   
   Smith is a careful observer, and his descriptions of the traveling life ring true. There are highs and lows, ranging from the idyllic joys of exploring the "jeweled anchorages" of Tonga's Vava'u Group, to the depressing realities of Madagascar's descent into poverty and environmental devastation. But Smith rarely gives way to the easy cynicism of some travel writers who call our attention to the fact that the South Seas are hardly the paradise many of us would like to believe. He points out that exploring the world by sailboat gives the cruiser a unique advantage-the boat is home, a refuge for those times when life on foreign shores becomes too much to face on a daily basis.
   
   It's Smith's voice that impressed me from the outset and kept me reading. I never forgot that the author was a real person, willing to admit when he was terrified (climbing the mast to replace a broken halyard in the midst of a five-day gale) or lonely (overcome by nostalgic memories during night watch on the Indian Ocean). I appreciate that kind of honesty in a writer, but I was most surprised by Smith's lyrical prose, such as when he refers to Joseph Campbell's "rapture of life" upon hearing a lone bagpiper's sunset skirl on New Zealand's Great Barrier Island. Clearly this man cares about what's happening around him, and is unafraid to listen to his soul.
   
   One of the back cover reviews says, "This book will make the reader want to get out there and do it." I agree, but at age seventy, and with a "busted gut" (a hernia, in the parlance of the tars that inhabit the mess deck in Patrick O'Brian's Master and Commander series), my most ambitious sailing days are probably behind me. At least with books like The Solitude of the Open Sea, readers like me can be there in our imaginations, as Smith puts it, "spending this precious gift we call life finding out how much the world has to offer, over the horizon and not so very far away."



2. Gregory Newell Smith's The Solitude of the Open Sea, a collection of narrative essays drawn from Smith's around-the- world sailing adventures, is much more than a sailing book: it is an insightful reflection on cross-cultural misunderstandings and the problems of cultural isolation; an album of portraits of fascinating people (his account of a young English woman, "Florence," was my favorite); and, most of all, the book is a philosophical examination of solitude and how being alone on his journey shaped his experiences.
   The title essay, which tells of Smith's 53-day solo passage from Panama to Hawaii, explains how a full appreciation of solitude goes beyond merely being alone, away from other people. On the contrary, it is through solitude that Smith is able to experience communion with nature and all of its power, a sublimity that, for Smith, is inspired by the breadth and majesty of the open sea. The experience of the sublime is a distinctive aesthetic that overwhelms the observer in a way that ordinary perception cannot.
   The sense of what Smith calls "wonder and awe" is difficult to apprehend outside of nature, though it is perhaps approached in some Chinese and Western landscape paintings. As Smith writes, "It took the sea's total freedom and the solitude I found there to finally achieve the communion I'd sought for so many years. When I found that communion, . . . it was a communion with Nature, with the universe beheld each day, with the wind, the waves, the sky, and the creatures of the sea. . . . For a brief time I was at peace. There was nothing I truly desired, no other person I needed to make me feel whole. My world was complete."
   What Smith experienced on the open sea was nature mysticism, which differs from traditional mysticism in at least two ways. First, nature mystics are extroverted, by which I mean that all their senses, including the kinesthetic, are stimulated. By contrast, other mystics turn inward and deliberately shut down their senses. Second, traditional mystics, rather than merging with nature, experience a fusion with God or the universal soul (atman) of the Hindus.
   Both types of mysticism, however, do draw a person into the Eternal Now. Smith writes, "I can think of no more immediate experience than sailing by oneself. . . . we feel bored or lonely when we are no longer living in the present moment. We want a change of circumstances, to be somewhere else or doing something else. We separate ourselves from our immediate reality by positing an alternate. We react rather than respond." The mystics and the sea teach us the same lesson: "The key is acceptance: eventually the sea will get you to admit that one of the few things you can change in life is your attitude. A successful ocean passage is therefore nothing short of the union of the boat and its crew with the natural environment, and exemplifies the difference between reacting and responding."
   By the end of the book, however, Smith has learned that he really needs soul fusion and not just nature mysticism. "I know I should be savoring each and every moment of this wonderful sailing-around-the-world life, but my willingness to experience wonder and awe has been drained by the absence of a soul mate with whom to share it." This confession appears at odds with his claim that the open sea is a cure for loneliness and boredom, but now, although he has "increased [his] capacity for solitude," he admits that he is lonely.
   Smith fears that his profound experiences of the sublime have made him less than fit for ordinary human fellowship. Nature accepts us unconditionally and she is fair and faithful, "treating us with he same care and respect she affords all." But most human beings want more than this-they are after all social animals-and each of us desires a special someone in a unique relationship of love and trust.
   Smith is able to admit that his life is not complete, and that he really does need another person to make him whole. He acknowledges that he has been "nursing [a] resentment about having no partner, no soul mate, no special person with whom to share the journey." Furthermore, he has discovered that other lands, such as New Zealand, even though very much like his own Pacific Northwest, could not really be his home. "I'll leave those places to their own natives, to those people who, as Terry Tempest Williams writes, naturally comprehend their landscapes and hold them as sanctuary inside their unguarded hearts."
   In addition to insightful ruminations on solitude, the author also reflects on the difficulties of cross-cultural understanding. The reader gets the impression that Smith initially assumed that Euro-American "cruisers"-those who sail leisurely from island to island, continent to continent-would be ideal emissaries for international understanding. The actual experience, however, was far from what he expected.
   Though he is not as cynical as the philosopher Ludwig Wittgenstein ("One culture misunderstands another; and a petty culture misunderstands all the others in its own nasty way") he still comes to some rather negative conclusions: "There is little meaningful interaction between the cultures, as if both sides recognize the impossibility of either being able to fathom the other. Notions of universal brotherhood are pragmatically reduced to simple acceptance, without any real understanding of each other's lives."
   He expresses his frustration at his failure to make further inroads into the native environment, but recognizes that his frustration is equally a measure of his own society's values and their hold on him. Nor does Smith believe that we westerners can hope to "go native;" no matter how much we may try, they will always remain at a distance from the culture we would embrace, forever identified by the locals as the outsider, the "Other."
   The Solitude of the Open Sea is a marvelous book, both philosophically astute and a constant pleasure to read. Through a series of carefully chosen snapshots, Gregory Newell Smith has ably recreated the daily realities of extended travel and the insights it provides, ranging from the depths of despair, to the humdrum quotidian rituals, to the dizzying heights of rapture. The book is also a portrait of a caring, deeply introspective man-a nature mystic if you will-searching for peace with himself and with the world.



3. Most sailing books are the I got here using this sail with the wind from the south, etc. variety. This is quite different. It is a single, male in self imposed exile on a sailboat. Interacting with the local cultures to some degree, but never a part of it, and thus an observer. A sharp, sometimes funny, sometimes poignant, sometimes sad observer. Most are stories and observations at his various longer stops along the way.
   
   True to what any of us might experience going solo, with assorted crew, around the world. A couple would have had a different experience, and perhaps fit in better, but would not notice what he does.
   Highly recommended.



4. I recommend that you pass on this book. I purchased it based on an advertisement and the current Amazon recommendations, but I found the author to be myopic and condescending. In one chapter, he describes some short stature tourists as "munchkins." In another, he discusses his thought process on turning back to New Zealand during a gale, and decides against it because his crew might flee and he would have difficulty finding new crew. Obviously, the primary concern should be protection of crew and not the convenience of the captain. He seems obsessed with money and the cost of items to the point of being miserly. For example, when a crew member with whom he has been romantically involved takes her leave, he makes a point of explaining how he offered to buy from her a pair of swim fins to give her some road money. He continually discusses his purchase of food from street vendors and its low cost - while commenting on the unsanitary manner in which it is served. Most of the travel discussions are little more than tourist bus rides. Frankly, I found the author's egocentric point of view distracting to the point of being offensive. Pass.

1 comments about Walking in Australia (Walking).

1. I had a chance to look through this book recently at a friends house, and I was pretty impressed. It contains a bunch of useful maps, which from my experience are more than adequate to help you get where your going, or find a place to go if you don't know where you want to be. It also has page upon page of great information on all things walking in Australia. Well worth the price.